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LETTER FROM BOBOLINK FARM
SATURDAY SUPPER
By Barbara Tatham Johnson
One of the first purchases of cooking paraphernalia that I made as a young
newlywed was a bean pot. I had never baked a bean. I did not enjoy eating
Boston baked beans, and I knew I would have to be pretty darn hungry,
desperately hungry, to attempt to bake a pot of beans.
My husband, stationed in Lincoln, Nebraska, with the U.S. Air Force, had
brought me a long way from the coast of Massachusetts where I had lived most
of my life. I felt terribly homesick, and the bean pot represented home,
familiar surroundings, the people who buoyed my life to that point, all that
I missed in the rolling prairie landscape of America’s Midwest.
My husband was puzzled with the bean pot since he knew my aversion to Boston
baked beans, and I could not admit aloud that a crockery pot was as
comforting as his loving presence. In short order, love won out, and the pot
sat out of sight and unused in the kitchen cabinet after its initial
important role as a personal touchstone.
My grandmother was a basic cook; that is, she achieved her goal of
satisfying the family’s appetite with a choice of several simple dishes.
Baking beans for Saturday supper was, by far, her best effort. The step by
step process fascinated me, and I could watch if I remained quiet.
Every Friday evening she picked over two pounds of pea, yellow-eye, or
kidney beans, eliminating any pebbles or bits of dried mud that processing
had missed in the packaging of the beans. After rinsing them, she poured the
beans into a large club aluminum pot and covered them with water to soak
overnight.
After breakfast on Saturday, she drained and rinsed the beans, now swollen
to twice their original size, refilled the pot with the beans and enough
water to cover them, and set them to simmer atop the wood- fired, bright
blue, cast-iron Kalamazoo “Prince” range. She tested the beans for completed
cooking by blowing across a spoonful of beans hot from the pot. If their
skins cracked open slightly, they were cooked. She spooned the beans, with a
slotted spoon to drain excess cooking water away, into her old brown
crockery bean pots, one large and one small.
Years of experience helped her gauge just the right amount of molasses that
flowed slowly from bottle into spoon and across the beans. A palm full of
salt spilled out of her cupped palm into each pot, followed by several good
shakes of black pepper. She stirred this together to distribute the molasses
and salt thoroughly within the depths of the pots.
She nestled a large rectangle of salt pork, cleaned of excess salt coating,
and cut to the rind in a crosshatch pattern of half-inch squares, firmly
into the upper layers of beans, poured just enough water to cover the beans,
and placed the beret shaped pot lids in place. Now the beans went into the
oven to bake all day at a low heat. I tried to be in the kitchen after lunch
to witness the removal of the pot lids and catch a glimpse of the once pale
beans and pork now beginning to tan nicely from the molasses. Lidless, the
pots were returned to bake until suppertime when the salt pork presented a
crisply darkened incised surface agape to reveal its soft white fatty
center, and the beans, deeply browned, bubbled in a thick dark sauce. The
combination of sweet pork, molasses, and beans filled the kitchen with an
aroma that would breach the fussiest appetite, but not mine.
How could something so delectable, so richly aromatic make me gag on the
first mouthful? The other eight family members delighted in every bite,
praised the cook, and had second helpings. I did well if I ate the small
helping that my grandmother, mercifully not an overly temperamental cook,
put on my plate. I had to chew the beans and not swallow them whole. I could
add catsup and piccalilli or cole slaw, if that was on the table, to help
out, but the mushiness of the beans between my teeth repelled me. Tomato
sauce, pickle, and cabbage and carrot bits spiced up the mush, but they did
not remove the repulsive softness. The idiosyncrasies of infant palates are
the bane of parents and never understandable. I was well into adulthood
before I could enjoy a plate of Boston baked beans. My grandmother was
mystified but pleased.
The alchemy of the cooking and the family’s hearty praise were enough to
help me love the occasion if not the beans. However, a second component of
Saturday supper locked the meal firmly in my heart. This was the making and
baking of cream of tartar biscuits and biscuit piggies. When the beans came
out of the oven, wood was added to the firebox to raise the temperature in
the oven. Several cups of flour, spoonfuls of cream of tartar baking powder,
and salt were sifted into a large bowl. Several large spoonfuls of
shortening were added to the flour mixture and broken and worked into the
flour with deft, strong movements of my grandmother’s fingers. Her hands
were beautiful and small. I watched with delight as she pinched and squeezed
the shortening and flour into a mixture of uniform crumble. She added enough
milk to moisten it into an easily worked dough, moist but not sticky. The
speed with which she kneaded and shaped the dough onto a floured board
amazed me. She rolled the dough into a thickness of about one-half inch and
cut out large rounds with her biscuit cutter, placing each biscuit swiftly
onto the greased baking sheets. The dough remaining after the rounds were
cut became biscuit piggies for each of the five children.
Watching the piggies take shape was almost as marvelous as eating them. Fat
dough balls were crimped, pinched, and patted at one side into a pig snout
and two big floppy ears. On the opposite side, a deft pulling and rolling
formed a tail that was coiled and patted with a fingertip against the dough
body. The piggies went onto the sheets with the biscuit rounds and into the
hot oven to emerge in half an hour expanded to double size and golden. The
biscuit piggie did help the beans go down, but I always left enough of the
wonderful buttered body to savor after my plate was cleaned.
“Oh, I’m Captain Jinks of the Horse Marines, and I feed my horse on corn and
beans,” my grandfather sang out when he came into the house and smelled the
aroma of Saturday’s supper. Comforted with the certainty of a biscuit pig, I
thought Captain Jinks’s horse was welcome to my share of the beans, but the
song set the tone for laughter and conversation at the table.
The gentle satisfying rumbles of escaping smelly gas throughout the evening
as we read or played games (and my diminished serving did not deprive me of
flatulence) represented satisfaction. We joked about the loud and the soft,
the “rowser” and the fart. A joke I heard years later when I had lived in
Maine awhile was not part of our repartee then, but it would have brought
that certain look from my grandmother and gales of laughter from the family.
A couple is enjoying a good bean supper in the local diner. A man a few
stools down the counter rips off a great, smelly fart.
“How dare you do such a thing before my wife!” says the offended husband.
“If I knew we were taking turns, I would have let her go first,” retorts the
satisfied customer.
The Nebraska bean pot sits in my cupboard today. In time I used it to cook
casseroles and such but never beans. Its value as a reminder of the warmth
of the kitchen table surrounded by contentment and laughter is as strong now
as it was when I missed my family long ago and far away. For all my dislike
of baked beans, I never left that table with an empty stomach. Nourishment
comes from more than what is on the plate.

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2008 Wolf Moon Desk Calendar
We are pleased to announce that we have put together another snappy desk calendar
featuring work by Maine photographer Clif Graves.

5 1/2" x 5"
2008 Wolf Moon Calendar just
$10.00 each
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Some of the fine
stores
where you can find
Wolf Moon JOURNAL
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Wolf Moon
Photo Note Cards

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