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LETTERS FROM BOBOLINK FARM
By Barbara Tatham Johnson

 


INTRODUCING: B-HA!

By (the writer formerly known as) Brian Hannon

It used to be that single-name status was bestowed upon only the biggest of the big in modern western culture: Madonna, Sting, Michael (Jackson or Jordan), Bruce and, of course, the biggest one-namers of all: Jesus and Hef.

Nowadays, however, it seems anyone even partially illuminated by the limelight goes by only a first name or, even cooler, an abbreviation.

On television and radio there are the talk show standards Dave, Jay, Rosie, Oprah, Howard, and Rush. In Hollywood we have Nicole, Tom, Cameron, Gwyneth, Brad, and Jennifer as in Aniston, not to be confused with Jennifer as in Lopez, also known by her street-diva moniker, J. Lo. America was initially knocked over by the celebrity whirlwind of Matt and Ben, but then Ben hooked up with J. Lo and created the larger-than-tabloid-life creature known as Bennifer.

In the NBA, Shaq and Kobe still reign one-name supreme despite losing their last championship run to Detroit, while a new crop of basketball superstars are hot on their heels both in game and with hip handles including T-Mac (Tracy McGrady) and K-Mart (Kenyon Martin.) Even in stoic New England, where summer and fall thoughts focus on the time-worn traditions of the ballpark, we have our one-name wonders and abbreviated idols: Nomar, Pedro, Manny, Trot, Pokey, JD.

In music especially, a recognizable single name is practically a requirement for success. Frank, Dean, and Sammy started it all, of course, while Bono, Prince, Axl, and Slash all rode the nickname train to fame in later decades. Now, in addition to J. Lo, American pop culture worships at the feet of P. Diddy (formerly Puffy, formerly Puff Daddy, formerly “J. Lo’s boyfriend”), Eminem, Britney, Jessica, Usher, Pink, Janet, Justin, and Nelly. The musical future, at least for the next fifteen minutes, may be JoJo, a thirteen-year-old singer who is moving up the Billboard and MTV charts and will undoubtedly be a huge success due entirely to her snappy name.

The same even holds true for Washington big-foots such as Bill, Hillary, Colin, Condi, and Rummy.

Why then does the world of letters seem immune to this trend? Sure, there are extremely recognizable personalities among the top writers, academics, and journalists, some of whom might even be nearing official one-name status: Salman (Rushdie), John (Updike), Susan (Sontag), William (F. Buckley), Calvin (Trillin), Seymour (Hersh), Bob (Woodward), Thomas (Friedman), Cornell (West), Joseph (Stiglitz), Arthur (Schlesinger), Doris (Kearns Goodwin), and Michael (Beschloss or Moore).

As the parentheses demonstrate, however, most of the men and women of the word are not positively identified by a single name, with the possible exception of the most consistently popular novelists: King, Grisham, Rice, and Rowling. Yet even these best-sellers are debatable as one-namers, mostly because they lack that hip, flashy sort of handle that sends the people at Entertainment Tonight into a tizzy.

Always one to recognize an important trend, or perhaps just desperate to start one, I have therefore decided to become the first writer who is instantly recognizable to the American public not for the quality of my writing, but rather due to a trendy nom du plume. Henceforth, Brian Hannon will be known by the overtly marketable shortening of my name: “B-Ha!”

B-Ha! not only rhymes with “yeehaw,” a fun and saleable word if ever there was one, but the use of a flashy and self-confident exclamation point practically guarantees the same sort of name recognition that vaulted Yahoo! to the top of the computer biz.

This new public incarnation wholly lends itself to overblown paparazzi coverage. For instance, by dating a woman named Jennifer, I will have enabled the tabloid press to run rampant with “Brianfer” headlines; the same goes for Diana (“Briana”) and Hannah (“B-Ha!nnah”). I’m especially keen to take Angelina Jolie on a romantic and photogenic excursion to my favorite mini-golf course: “B-H!olie in one! Couple seen smooching between windmill and giant clown mouth.” When trying to secure six- and seven-figure book advances, this sort of media overexposure is invaluable. (The only thing better is having a death sentence placed on your head by a religious group, and to hedge my bets I have already started exploring ways to tick off the Mormons and the Seventh-day Adventists.)

Despite this lurid publicity and the subsequent guaranteed sales success of my first book, regardless of its subject matter or quality, I refuse to become one of those hiply named vanity cases who blows all my totally undeserved wealth on diamond-encrusted jewelry for my celebrity girlfriend-of-the-week or by leaving thousands of dollars in my carry-on bag for any kleptomaniac who happens to follow me through the airport. I have serious business plans for my personal abbreviation, including lines of B-Ha! clothing, fragrance, and household cleaners. I also intend to talk to JoJo about starting our own breakfast chain: B-Ha!-Jo’s.

In the downtime between these commercial ventures and meetings with my publicist and personal shopper, I may even do some more writing, although only in well-timed guest columns in Vanity Fair espousing my fashionable political views while cleverly hinting at the contents of my upcoming novel, which will be excerpted exclusively in the New Yorker. The trick is to build the public into a fever pitch of anticipation for the next book without cutting into my face time at the important New York literary hangouts and the hottest restaurants and clubs in L.A. and Miami.

After all, I have the B-Ha! image to protect. 

 


 

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