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FIRST LIGHT:
ACADIA NATIONAL PARK AND MAINE’S MOUNT DESERT ISLAND
by Tom Blagden Jr. with Text by Charles R. Tyson Jr.
152 pp. Colorado:
Westcliffe Publishers. $60.
Commissioned by the Margaret Dorrance Strawbridge Foundations I & II
Reviewed by Burndett Andres
First Light is more than just another gorgeous picture book about
Maine. The words of Charles R. Tyson Jr., who serves on the board of
directors of Friends of Acadia, engage the mind just as surely as nature
photographer Tom Blagden’s beautiful pictures woo the heart. Friends of
Acadia president, W. Kent Olson, contributes the foreword, and the book was
copublished by the organization.
As early as page three, the reader understands that First Light is a
book with a mission. Simply stated, that mission is to rally the troops.
That is, to
educate the public that Acadia is one of the most visited parks in the
National Park System (with upwards of three million visitors a year mostly
between June and September) and that it is also one of the most underfunded
of our national parks. The title derives from the fact that Cadillac
Mountain, which forms the centerpiece of the island’s mountain range at
1,530 feet, is the highest point on the East Coast of the United States as
well as the point “where dawn’s first rays reach our coastline.”
An interesting “Timeline of Human Activity on Mount Desert Island” is
included, which tracks human intervention from 9,000 B.C. to the founding of
Friends of Acadia by park volunteer Marianne Edwards in 1986. Both the
foreword and the text that introduces each of the five chapters encourage
responsible stewardship of the national treasure known as Acadia National
Park, while the pictures provide persuasive
evidence that we, the public, must join in this effort.
Chapter one, “Reflections,” deals with the fact that the inspirational and
awe-inspiring landscape of Mount Desert and Acadia are being loved to death.
Over the years, the rich and famous and the common man have joined in waxing
poetic about the scenic wonders collected here. No matter where they may
roam, Acadia calls to those who have known her, luring them back to
“places for a man to find his soul, when he had lost it...Green, sleepy
islands; little wooded coves, trees down to the water’s edge; high granite
bluffs’ black bull-backed ledges where the surf washed over; water
stretching away forever, blue, whitecapped, shining in the sun. That was the
place that you were homesick for, even when you are there.” These words from
High Clouds Soaring, Storms Driving Low: The Letters of Ruth Moore
are accompanied by pictures of the flora, fauna, rocks, and streams of Mount
Desert Island in a variety of seasons and appealing poses.
“Discovery,” chapter two, expands on the human history of the island, from
the “summer people” of 11,000 years ago, “the region’s aboriginal natives
who camped seasonally on the islands of Acadia and fished the offshore
waters,” through the Wabanaki Nation, who preceded the white man, to the
tens of thousands of cars that cross the bridge to the island on an average
summer day in the twenty-first century. The concept of sustainability is
explored along with the relationship between Friends of Acadia and Acadia
National Park, local businesses and townships, and federal and state
government entities—all motivated by the need to preserve and protect the
park and its host island. More close-ups and panoramas punctuate the prose
like exclamation marks.
Life in a tidal pool, life on land, and life in the sea are discussed in chapter
three under the subject heading “Diversity.” The tremendous range of insects
and birds and the unique mix of plants that call Acadia home add to the
area’s appeal—and to the challenge of protecting a wide variety of micro and macrohabitats. This information is illustrated by a wide range of subjects
from the lowly Rockweed at Low Tide to a glorious Sunset over
Thomas Bay, from Bald Eagle, Somes Harbor to the artistic
portrait Mussel Shell and Kelp Covered in a Veil of Frost.
“Perspectives” in chapter four suggests, “paradoxically, within the most
obvious of Acadia’s problems, increasing visitation, lies a possible
solution. Let People come. Let them introduce themselves to Acadia. Let them
fall in love. Let them learn. They will care for Acadia. And they will take
care not to dilute the experience for fellow visitors. It is not enough to
intellectualize stewardship; deep down inside you must feel the need for
it...” If the reader hasn’t already done so, the reader will “get it” when
viewing
the pictures of the storm-tossed surf or the sunrise along Ocean Path.
Finally, the concept of “Sanctuary” is explored in chapter five. The
photographs of the massive Rock Formations Near Thunder Hole and the scenic
vistas from Sargent Mountain, Ship Harbor, and Wonderland prove that a sense
of sanctuary survives on Mount Desert Island, and will as long as those who
love her are willing to contribute to her well-being.
Tyson sums up with the words, “Beyond the first light of understanding and
appreciating nature’s physical and spiritual gifts is the recognition that
we, as elements of creation, are connected to the sanctuaries of this world.
They are not merely beautiful and life-sustaining places put on earth for
our benefit. As the Wabanaki believe, we and they are part of each other.
Think of them as mirrors of all that is good and beautiful and
life-sustaining within us. When we preserve them, we preserve the best in
ourselves."
“Thus Acadia’s future and ours depend on the choices all of us make today.
We can choose beauty over ugliness. We can choose diversity over sameness.
We can choose learning over ignorance. We can choose stewardship over
exploitation. We can choose altruism over selfishness, generosity over
greed, the future over the present."
"If words and pictures do not persuade you to make the right choices,
experience and feelings will. Experience Acadia’s elemental pull on your
soul...”
This book is the next best thing to being there and makes a handsome gift.
Its purchase benefits Friends of Acadia (www.friendsofacadia.org), who use
these royalties to help protect the natural beauty and ecological vitality
portrayed so beautifully in First Light.

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2008 Wolf Moon Desk Calendar
We are pleased to announce that we have put together another snappy desk calendar
featuring work by Maine photographer Clif Graves.

5 1/2" x 5"
2008 Wolf Moon Calendar just
$10.00 each
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Some of the fine
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where you can find
Wolf Moon JOURNAL
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Wolf Moon
Photo Note Cards

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